Posts Tagged ‘sketchbook’

Visual Diary #027 – Out takes Portrait Bugra Gedik

Some out takes of the shoot with Bugra Gedik, student University of Amsterdam and appointed Campus Poet.

First spring day; time to brush off the garden set up. #editorialphotography #todaysoffice #spring #lente

A photo posted by Editorial Photographer Amsterd (@brambelloni) on

The Netherlands, Amsterdam, 10 April 2015. Portrait Bugra Gedik, student University of Amsterdam (UvA), Campus Poet of the UvA-HvA and comedian. Photo: Bram Belloni / Nederland, Amsterdam, 10 april 2015. Portret Bugra Gedik, student Universiteit van Amsterdam (UvA), UvA-HvA Camopus dichter en comedian. Foto: Bram Belloni / (c) 2015, www.belloni.nl

Bugra Gedik, appointed UvA Campus Poet
2015, Bram Belloni for Folia Magazine


New Scientist cover shoot in Pauw talk show

Dutch comedian and presenter Dolf Jansen talks about the recent cover shoot for New Scientist in late night talk show Pauw.

The model life is not always that glamorous.

> see the item at: Pauw – Gemist


Visual Diary #026 – Slaboshpytskiy on IFFR

Ukrainian director Myroslav Slaboshpytskiy and his spous Elena during photo shoot for IFFR.

 

The Netherlands, Rotterdam, 22 January 2015. The 44th International Film Festival Rotterdam - IFFR 2015. Portrait Myroslav Slaboshpytskiy, director The Tribe (Ukraine 2014), in the IFFR Limelight programme. Photo: Bram Belloni / (c) 2015, www.belloni.nl (Bram Belloni)
The Netherlands, Rotterdam, 22 January 2015. The 44th International Film Festival Rotterdam - IFFR 2015. Portrait Myroslav Slaboshpytskiy, director The Tribe (Ukraine 2014), in the IFFR Limelight programme. Left; Elena Slaboshpytskiy (Myroslavs spous). Photo: Bram Belloni / (c) 2015, www.belloni.nl (Bram Belloni)
The Netherlands, Rotterdam, 22 January 2015. The 44th International Film Festival Rotterdam - IFFR 2015. Portrait Myroslav Slaboshpytskiy, director The Tribe (Ukraine 2014), in the IFFR Limelight programme. Left; Elena Slaboshpytskiy (Myroslavs spous). Photo: Bram Belloni / (c) 2015, www.belloni.nl (Bram Belloni)
The Netherlands, Rotterdam, 22 January 2015. The 44th International Film Festival Rotterdam - IFFR 2015. Portrait Myroslav Slaboshpytskiy, director The Tribe (Ukraine 2014), in the IFFR Limelight programme. Left; Elena Slaboshpytskiy (Myroslavs spous). Photo: Bram Belloni / (c) 2015, www.belloni.nl (Bram Belloni)
The Netherlands, Rotterdam, 22 January 2015. The 44th International Film Festival Rotterdam - IFFR 2015. Portrait Myroslav Slaboshpytskiy, director The Tribe (Ukraine 2014), in the IFFR Limelight programme. Left; Elena Slaboshpytskiy (Myroslavs spous). Photo: Bram Belloni / (c) 2015, www.belloni.nl (Bram Belloni)

 

And the image used in the Daily Tiger, the festival’s daily newspaper (click for bigger image):

Tearsheet Daily Tiger #05-2015, publication International Film Festival Rotterdam 2015. Photography by Bram Belloni for IFFR. (Bram Belloni)

Tearsheet Daily Tiger #05-2015, publication International Film Festival Rotterdam 2015. Photography by Bram Belloni for IFFR.


Visual Diary #025 – IFFR’s Sunday morning

For the International Film Festival Rotterdam (IFFR) I am currently working with a whole team of photographers, editors, reporters and designers on the Daily Tiger, the festival’s daily newspaper.

It’s quite an endurance to work for 10-days straight on those tight deadlines. But working in this team makes it all more than good.

IFFR Sunday morning - Daily Tiger reporter waiting for interviewee to get photographed.

IFFR’s Sunday morning – Daily Tiger reporter waiting for interviewee to get photographed.


Visual Diary #023 – Arnon Grunberg for Folia Magazine

When Folia Magazines departing editor-in-chief Jim Jansen asked me to accompany him for his last interview for the magazine, I suspected I was in for a treat.

The interviewee was Arnon Grunberg, Dutch author and columnist. Beside his literary works, I have always held him in high regards because of his commentary on contemporary (Dutch) issues in his columns. And for awesome projects like Les vacances de Monsieur Grunberg.

The Netherlands, Amsterdam, 05 October 2014. Portret Arnon Grunberg, Dutch author at Hilton Amsterdam. Photo: Bram Belloni / Nederland, Amsterdam, 05 oktober 2014. Portret Arnon Grunberg, auteur, in Hilton Amsterdam. Foto: Bram Belloni / (c) 2014, www.belloni.nl (Bram Belloni)

Arnon Grunberg, Dutch author
October 2014, Bram Belloni for Folia Magazine

With Folia Magazines art-director Pascal Tieman we decided to go for a different angle; instead of color portraits, high contrast black and white images which he completed with colored gradients.

> Commissioning editor: Jim Jansen, art-director Pascal Tieman
> Read the interview in Folia Magazine #9-2014
> Read more about Arnon Grunberg


Visual Diary #020 – IFFR 14 portraits

What is it that you’re doing during film festivals?

Film directors Jan Schomburg, Michael Tully, Peter Brunner, Riad Sattouf, Fellipe Barbosa, Nick Reding, Robin Campillo, Yann Gonzalez, Fernando Eimbcke, Digna Sinke, Oxana Bychkova for IFFR 2014.

> PLAY > PAUSE

Film directors Jan Schomburg, Michael Tully, Peter Brunner, Riad Sattouf, Fellipe Barbosa, Nick Reding, Robin Campillo, Yann Gonzalez, Fernando Eimbcke, Digna Sinke, Oxana Bychkova for IFFR 2014.

> read more about the International Film Festival Rotterdam (IFFR)


On Photography – Allan Sekula

The Netherlands, Amsterdam, 23 November 2013. The 26th International Documentary Film Festival Amsterdam - IDFA 2013. Tour at Stedelijk Museum, with discussions on reality in art and documentary film. Hosted by IDFA and Stedelijk Museum. Photo: Bram Belloni ((c) 2013, do not use without prior permission)

“Untitled Slide Sequence” by Allan Sekula at Stedelijk Museum, Amsterdam.
November, 2013

With many words already spoken to the discussion whether documentary photography (or film) is unbiased or not, i recently came upon this quote by photographer and visual artist Allan Sekula.

The only “objective” truth that photographs offer is the assertion that somebody or something… was somewhere and took a picture.
– Allan Sekula

Nowadays, the whole debate tends to shift in favor of the ‘subjective’ side. I haven’t been able to find out when exactly this quote was used (given the working career of Sekula probably before the whole discussion started), but in all its simplicity it just nailed it for me.